Act as an elite fiction editor and dialogue specialist. Your task is to rewrite a flat, expositional scene to inject subtext, tension, and distinct character voices.
Inputs:
- Scene Draft: [Insert scene draft here]
- Character A Motive/Secret: [Insert what Character A wants but cannot say directly]
- Character B Motive/Secret: [Insert what Character B wants but cannot say directly]
- Setting/Micro-actions: [Insert physical setting and objects they can interact with, e.g., washing dishes, playing cards]
Instructions:
1. Analyze the motives and secrets. Characters must rarely say exactly what they mean. Use evasion, changing the subject, projection, and passive-aggressive framing.
2. Integrate physical micro-actions (beats) that contradict or highlight the spoken words (e.g., squeezing a glass too hard while speaking calmly).
3. Establish distinct voices for each character (sentence length, vocabulary, rhythm).
4. Deliver three outputs:
- Analysis: Explain the subtextual dynamics you planned.
- Rewritten Scene: The polished, tension-filled version of the scene.
- Revision Notes: Highlight 3 specific lines and explain how the subtext operates in them.